What is declining is the physical book-store. This makes distribution a problem. We have to find ways for readers to discover books. We have to think how to effectively market them. We may have to build an FMCG model. In fact, we are in urgent need of some game-changing ideas
When I ask Gautam Padmanabhan, the CEO of
Westland, where he would like to have lunch, he suggests Peshawri, the
Northwest frontier restaurant in ITC Grand Chola, Chennai. It is a surprise
choice for a hardcore vegetarian. “I like their paneer tikka,” he says. So
Peshawri it is. Padmanabhan has had a chaotic three months, promoting Amish
Tripathi’s, Scion of Ikshvaku, the first in the Ram series. This was
immediately followed by promotional tours for Anuja Chauhan’s The House That BJ
Built. The usually low-key, taciturn Padmanabhan has had to play a different
role as the publisher of best-selling authors.
As we walk into the truly grand ITC Grand
Chola, Padmanabhan tells me that promotional budgets for Amish’s books can
match that of a mid-sized Bollywood film. “There are only two authors in
the country who belong to the millionaire’s league, Chetan Bhagat and Amish
Tripathi.” What he means is that they are the two authors who sell in millions.
Then there is a steep fall to the 100 to 200,000 segment.
We settle down at Peshawri, and order paneer
tikka and tandoori aloo to start with. “In 1987, when my father had a
distribution and a small publishing business, we used to be grateful if we
could sell 1,000 imprints. Even now, print order for many English books does
not exceed 1,000 to 3,000. Only 15 to 20 authors have broken through to become
best-sellers and we have eight of them with us.” Ashwin Sanghi, Rashmi Bansal
(who was on Nielsen’s best-seller list for non-fiction for two years), Rujuta
Diwekar (the famous nutritionist), Preeti Shenoy and a few others are Westland
authors. “We recently signed Ravi Subramanian, the banker turned writer. We
have some interesting emerging authors like Anand Neelakantan who looks at
myths from the villain’s point of view and Christopher Doyle who blends science
fiction and Mahabharata themes.”
Padmanabhan literally grew up with books. His
father KS Padmanabhan started with importing and distributing higher academic
books. “Selling academic books was good business. But the reader in my father
made him open a book-store called Manas. I worked there one summer and knew
that I had to be in the book business. The world of Agatha Christie, Arthur
Hailey and Robert Ludlum was certainly more interesting than solid state
physics!” Padmanabhan senior also had a small publishing business which did
interesting projects. He read Sudha Murthy’s article in a newspaper and went
ahead and published her book.
It is time to decide on the main course. Padmanabhan
is very clear about what he wants. He asks for dal bukhara and tandoori rotis
and I opt for khasta roti and mixed raita. Padmanabhan tells me that the year
he joined his father’s business, David Davidar launched Penguin’s Indian
publishing programme and Hemu Ramaiah pioneered modern book retailing with her
first Landmark store in Chennai. “My father saw the potential of this
large-format air-conditioned book-store. He got me working with Hemu to plan
the initial stocking of the store with as wide a range of books as possible. We
set up a joint venture a decade later, which finally resulted in our being
acquired by the Tatas along with Landmark. The ground just kept shifting
beneath my feet.” Westland publishing came under Tatas’ Trent umbrella and the
focus started moving from distribution to publishing. Overnight, he had to make
the transition from working for a family concern to becoming the CEO of a
corporate publishing house.
Since 2007, Padmanabhan’s travel schedule has
gone haywire. “Chennai is home. I don’t want to shift. Distribution is done out
of Chennai. Corporate headquarters are in Delhi and a large chunk of writers
are in Mumbai. We are all over the place. I manage.” All this hard work has
paid off. Today Westland is among the top three publishers in the country.
In the early days of Westland, the company
followed the traditional path, publishing literary fiction and non-fiction.
“We published whatever came our way.” The
breakthrough came with Ashwin Sanghi who had self-published his first novel,
The Rozabal Line, in 2007 under his pseudonym Shawn Haigins (an anagram of his
name). He came to Westland for distribution. “I realised his book was very much
like the hugely popular The Da Vinci Code and signed him up.” This was followed
by getting Amish Tripathi on board.” Amish’s agent was a friend of mine. He
asked me to distribute The Immortals of Meluha in the South. Within three or
four months, 30,000 copies flew of the shelf. This was nothing short of
spectacular those days.” The Shiva Trilogy has exceeded sales of 2.5 million.
“We priced Amish’s books at R295 as compared to Chetan Bhagat’s R99. It shows
that if content works, price need not be an issue.”
It is in the last decade that the reading
demographics have changed. Padmanabhan feels that there is a large segment of
population which did not grow up on Enid Blyton and Hardy Boys. They were
beginning to read English books by Indian authors. The new authors fed into
their resurgent Indian pride. It was no longer important that an author had to
be published in the West to get recognition here. These writers also write in
Indian idioms which lend themselves to translations.
Westland has steadily moved into
translations. “We stuck our necks out with The Immortals of Meluha in Hindi. It
did better than expected. The Shiva Trilogy in Hindi has sold over 2 lakh.
“Hindi is a huge market. Hindi newspapers and TV channels are much bigger than
their English counterparts. We are not selling translation rights of our
successful authors any more. We are doing it ourselves. We are translating them
into Hindi, Marathi, Bengali and Tamil. The first Oriya translation of Amish
will be coming out soon.” The Scion of Ikshvaku in Hindi has debuted as number
2 in Nielsen charts.
We are served Peshawri’s famous kulfi. I ask
Padmanabhan whether he is feeling threatened by e-publishing?
“E-publishing is not a threat. The world over
e-books have not grown beyond 30% of total book sales. The Indian average does
not exceed 1-2%. Physical book is not going to disappear any time soon. What is
declining is the physical book-store. This makes distribution a problem. We
have to find new ways for readers to discover books. We have to find different
ways to market them. We may have to build an FMCG model. We are in urgent need
of some game-changing ideas.”
Source
| Financial Express | 18 August 2015
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