Digitising data on ‘stolen’ Buddhist relics
The treasures were taken away en masse by western expeditions and ended up mostly in museums of Europe, Asia and the U.S.
Chinese
authorities are engaged in a major international effort to digitally accumulate
the priceless cultural treasures of the Buddhist caves in Dunhuang — murals,
statues and manuscripts — that were taken away en masse by western
expeditions and ended up mostly in museums of Europe, Asia and the United
States.
Most
of the artworks, controversially removed from the iconic Mogao caves -- hewn
out of the imposing sandstone cliffs -- found their way in the British Museum
in London, the National Museum in New Delhi and The Hermitage Museum in St.
Petersburg. Part of the collection, sometimes after a change of hands, also
found its way to The Tokyo National Museum and The National Museum of Korea.
Right
in the Gobi desert
Dunhuang
Buddhist caves, housing 2,000 painted sculptures and half-a-million square feet
of wall paintings are in the Gobi desert, at a major junction of the ancient
Silk Road. The Silk Road snaked between Xian in China, and Rome, passing
through treacherous terrain of deserts and mountains.
Lured
by the promise of large commercial fortunes, or spiritual solace, countless
perished on this route as victims either to the calamities of nature or attacks
by armed brigands.
“The
5 great stealers,” according to China
The
Chinese accuse five “despicable treasure hunters” of Serindian art -- the
Hungarian born Aurel Stein who adopted British nationality, Paul Pelliot of
France, Otani Kozui of Japan, Russia’s Sergei
Oldenburg
and Landon Warner from the United States --- as mainly responsible for the
“great steal” from the Dunhuang caves.
Stein’s
role was pivotal in this controversial chapter, which soon acquired a sharp
emotive edge in the backdrop of nationalistic stirrings in China against
imperial powers. In three expeditions, mounted between 1900 and 1916, the
former principal of Oriental College Lahore, whose prime interest was in
exploration of Central Asia, China, India and West Asia, removed 24 trunks of
ancient Buddhist scriptures and five boxes of paintings, embroideries, and
other artworks from the Mogao caves, all for a princely sum of 130 British
pounds.
Taken
away from the ‘Library Cave’
Most
of the artistic treasures, including rolls of Buddhist scriptures in Sanskrit,
Khotanese and Uighur languages, were taken from the famous “Library Cave,”
discovered accidently in 1900 by a Taoist monk,
Wang
Yuanlu, who was then the guardian of the Mogao caves.
The
artworks brought by Stein have been deposited in the British Museum, but an
impressive collection has also been exhibited at the National Museum at New
Delhi. In fact, Stein’s 1913-16 expedition was funded by the government of
India, with the understanding that majority of the finds of this excursion
would lay the foundation of a new museum that was coming up in Delhi.
Igniting
a similar interest in Europe
Stein’s
audacious mission, ignited a similar interest in Europe, including France, and
very soon, Pelliot, the Frenchman, was at Dunhuang, carrying away with him 6000
high value rolls from the Library Cave, after paying an equivalent of 750
pounds to Wang, the caretaker.
The
artefacts from Dunhuang can now also be found in the Tokyo National Museum,
largely the result of an expedition marshaled by Otani Kozui.
In
his book, Foreign Devils on the Silk Road, Peter Hopkirk points out that
around one third of Otani’s “collection” ended up in South Korea, and another
third at Port Arthur in Manchuria. The marvels of the Mogao caves also found
their way to the Fogg Art Museum at Harvard University, as well as the
Hermitage in St. Petersburg.
Now
comes the reuniting effort
Nearly
a century after Stein’s arrival in Dunhuang in 1907, a major collaborative
effort to reunite the treasures of the Dunhuang caves in the virtual world has
commenced. The Dunhuang Academy, which is currently taking care of the Mogao
grottoes, is a major fulcrum of the International Dunhuang Project (IDP). This
ambitious multi-national enterprise aims to reunite “all these artefacts
through the highest quality digital photography by coordinating international
teams of conservators, cataloguers and researchers”. The National Museum in New
Delhi is a founding member of the IDP.
Asked
by a group of visiting journalists about the prospects of bringing the
priceless relics back to their home, Xudong Wang, the Director of Dunhuang
academy pragmatically observed: “If we can get them back to the Internet family
through digitisation, that is a target we can achieve for now.”
Source
| The Hindu | 24 May 2016
Regards
Pralhad Jadhav
Senior Manager @
Library
Khaitan & Co
Best Paper Award | Received the Best
Paper Award at TIFR-BOSLA National Conference on Future Librarianship:
Innovation for Excellence (NCFL 2016) on April 23, 2016. The title of the
paper is “Removing
Barriers to Literacy: Marrakesh VIP Treaty”
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